Event recap
Conference, launch, internal off-site. Material captured by your team or a crew on the day. We turn it into a piece that gets watched twice — and shared the same week.
An edit and motion studio. You bring the footage — yours, archive, or sourced together. We build the piece: cut, motion, sound, color, finishing.
Post-production studio. We don't shoot — we edit, animate and finish. If you need a crew, we point you to one we trust.
Technical editing without narrative criterion. No serious motion, or motion subcontracted to someone else. You direct the cut, you bring the references, and the piece ends up disconnected from the rest of your brand.
Bundled into an expensive retainer, diluted across eight accounts. The brief passes through four hands before the first cut. Long calendars, deck-driven. Generic templates wearing your logo.
Edit and motion in the same hands. Narrative criterion before the first cut. One voice across film, site and agent. Stage discipline applied to the frame — the piece arrives ready to be watched twice.
Conference, launch, internal off-site. Material captured by your team or a crew on the day. We turn it into a piece that gets watched twice — and shared the same week.
Motion-led piece for a product, feature or service. Footage if you have it, motion graphics if you don't. Built around a clear line of argument — not a list of features.
The film a company shows to its own team. Year in review, all-hands opener, training piece. Honest about what happened, considered in how it's shown — built to land in the room it's played in.
The piece that introduces the company. Origin, point of view, what the work is. Strong motion, considered sound, finishing that holds up on a big screen and on a phone.
What the piece has to say. Who watches it. Where it lives. We screen the footage together, agree the line of argument, lock the structure before a single clip is moved.
First cut. Motion graphics built in parallel. Sound design draft. We share a watchable version before it's polished — early enough to change direction if needed.
Refined cut. Color, sound mix, motion polish. Two rounds of revisions, calibrated against the brief — not against opinion.
Master files, social cutdowns, subtitle tracks, project files. Delivered in a clean folder structure your team can navigate without us.
New cuts, additional languages, repurposed edits for next quarter. Same studio, no re-onboarding. The film keeps earning its keep.
Three-minute film opening the season. Edit and motion built from rehearsal footage and archival material. Shown before the curtain on opening night.
Year-end film for an internal all-hands. Material captured across four countries by local teams. Edited into a single piece in EN and ES, with motion graphics for the data sections.
Recap of a two-day brand activation. Multi-camera footage from the producer's crew, stitched into a piece used the same week for next-edition outreach.
Not yet. Probably later.
Creative direction is always part of the work: the right questions, what's being communicated, why it matters. If that's not what you're after, no problem — Fiverr.
Sourcing and licensing are included for internal use. For ads, promos, TV, IMAX, the Las Vegas Sphere — it's quoted separately. The rights window changes the rate.
Yours. We hand them over clean at the end.
Yes — VO and subtitles. Other languages too, with AI on the first pass and human correction after. What we don't do is ship raw AI.
Everything is yours. If you want to keep working with us, great. If not, also fine.
The fastest way to find out if we're a fit is to talk to the agent — it knows the studio, the formats, the timelines. If you'd rather write directly, the email is below.
Madrid · Working in EN, ES and PT · Worldwide.